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Ansi33 Age: 45 y. Amormi Age: 43 y. Some say the Renaissance began in over the excitement caused by a city-wide competition to design and build new doors for the Baptistery.
Lorenzo Ghiberti won the commsion and spent decades on this project. These bronze panels, Ghiberti's "Gates of Paradise," were revolutionary in their realism.
By utilizing the mathamatical laws of perspective, Ghiberti helped give the art world a whole new dimension — depth.
He pulled out all the stops to create maximum three-dimensionality: The tiles have lines which converge to a vanishing point.
This bench is fore-shortened to exentuate its depth. Elements are added to establish a foreground distinct from the middle and the back ground.
The effect? As viewers we become part of the scene. While the panels, like most of the art you see outside, are copies, the originals of the cathedral's greatest treasures are stored safely out of the elements in the adjacent cathedral museum.
After nearly years of construction, Brunelleschi's dome was up and the Cathedral was nearly complete. Then they began decorating the interior with the finest art of the day.
The Cathedral's statues and reliefs showed a realism and emotion unprecedented in European art. The work of Donatello was a ground-breaking example.
This balcony for the choir, captures the exuberance of the age. Dancing and swirling in a real space, oblivious to the columns, Donatello's happy angels celebrate the freedom and motion of this new age.
Some say Donatello invented the Renaissance style that Michelangelo would perfect half a century later. He was an eccentric, innovative, work-a-holic master who lit up his statues with an inner spirituality or soul.
Donatello's Mary Magdalene — carved out of wood — is provocative The prostitute, rescued from the streets by Jesus, folds her hands in prayer.
Her once-beautiful body has been scarred by the fires of her fasting and remorse. While her physical body is neglected and her eyes are hollow, her spirit stands strong.
The broken body of the crucified Christ is tended by three mourners — his mother Mary, Mary Magdalene, and Nicodemus. Michelangelo sculpted Jesus taller than life — notice the zig-zag of his body.
This accentuates its weight making the theological point of the statue clear — Jesus is dead. Nicodemus is a self-portrait of the 80 year old Michelangelo.
After spending a lifetime bringing statues to life, Michelangelo reflects tenderly upon his savior — looking down thoughtfully at what could be one of his final creations.
I'm meeting my Florentine friend, Tommaso at I Fratellini — a venerable hole in the wall much loved among locals for its tasty sandwiches and wine sold by the glass.
Rick: Grazie. Bartender: Prego. Tommaso: Thank you. And when you are done you leave it on the rack. Rick: Boy, it's intense in the city.
Tommaso: Yes, it is. Well if you want to leave the tourists let's cross the river and let's go to where the real Florentines live and work. Rick: Where's that?
Tommaso: The Oltarno area. There's much more to this town than tourism, as you'll quickly find in the characteristic back lanes of the Oltrarno district.
Artisans, busy at work, offer a rare opportunity to see traditional craftsmanship in action. You're welcome to just drop in to little shops — but remember, it's polite to greet the proprietor.
Your key phrase is "Can I take a look? Rick: Posso guardare? Shopkeeper: Certo. Rick: This is beautiful. How old is this painting?
Artist: This is a 17th-century painting. Rick: From Florence? Artist: We don't know. Maybe the area is Genova. Rick: Genova.
Each shop addresses a need with passion and expertise. Fine instruments deserve the finest care. Grand palaces sparkle with gold leaf thanks to the delicate and exacting skills of craftspeople like this.
A satisfying way to wrap up an Oltrarno experience is to enjoy a Florentine steakhouse which any Italian meat lover knows means Chianina beef. The quality is proudly on display.
Steaks are sold by weight and generally shared; the standard serving is about a kilo for two, meaning about a pound per person. Rick: So, both of those, for four people?
Waitress: Yeah. Rick: Oh, look at this. Oh, beautiful. Chianina beef…So the meat is called "Chianina"? Tommaso: That's its name, because it comes from the Chianti.
Rick: Oh, Chianti. And tell me about this concept of the "good marriage," of the food, you know? Tommaso: Well, when you have a Chianina meat, you want to have some Chianti wine.
And they go together well, they marry together, we say "si sposano bene. A good marriage. In other words, the wine is from Tuscany and the meat is from Tuscany.
Tommaso: Exactly. You don't want to have a wine from somewhere else but Tuscany. We're staying at Hotel Loggiato dei Serviti. This spiffed-up 16th-century monastery offers a good mix of character and comfort.
From the understated elegance of its lounges and breakfast room, stone stairways lead to comfortable bedrooms. Once the cells of monks, today's rooms — with air-conditioning, antique furniture, and mini-bars — wouldn't be recognized by their original inhabitants.
A block away is another monastery — with simpler cells than our hotel…but better art. The monastery of San Marco , with its peaceful cloister, is now a museum — welcoming the public to enjoy the greatest collection of frescoes and paintings by Fra Angelico.
Working in the mids, Fra Angelico — equal parts monk and painter — fused medieval spirituality with early Renaissance techniques. In this painting, he creates a realistic scene set in what many consider the first great Renaissance landscape.
Christ is mourned by both haloed saints and contemporary Florentines. The scene is holy, but rather than in heaven, it's set on a lawn in Tuscany…among real trees and people.
The monks lived above the cloister, and greeting them at the top of the stairs was Fra Angelico's sublime Annunciation.
The quiet beauty and exquisite detail in these year-old frescos can put even a busy tourist in a peaceful and reflective state of mind.
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